Remote & live video production · Ecamm Live · Zoom Webinar

Fuljens Henry Remote & Live Video Production

I produce webinars, panels and hybrid events that hold together on air — tech, graphics, guests and run-of-show. Creator of Building Blocks.

Not hiring a producer — just need your Ecamm set up properly? Have a profile built →

Fuljens Henry, remote and live video producer
Free download

The Remote Show Planning Kit

Everything I use to get a virtual event on air — the same documents I run real client shows from. Confirm your email and the budget pages come with it.

  • Run-of-show sheet — segment timings, cues, who's on camera when
  • Pre-show tech check — the list that stops show-day surprises
  • Guest brief template — what to send panelists in advance
  • What to budget — real ranges for a produced virtual event, in the emails that follow

The download starts straight away. Production notes and setup breakdowns after that — no spam, unsubscribe any time.

Here's the kit

Your download should have started — the run-of-show sheet, the tech check and the guest brief. If it didn't, grab it here.

Click the confirmation link I've just emailed you and I'll send the complete edition — the same kit with the budget pages, real ranges for a produced virtual event — plus a short series on running remote shows properly. Check spam if it doesn't arrive.

Already know what you're planning? Send me the details and I'll come back with a plan and a quote.

Up to 2,000 Attendees on online events produced end to end
Building Blocks Creator of the series with Ecamm Live, archived on Ecamm's channel
Built For This Co-host and producer of the ATS live show and podcast
5.0 rated On Fiverr, on Upwork, and across the template store
Recent work

Lately

Live video producer · September 2026 · with the Ecamm team

Card Party Dallas

The Pokémon TCG creator and collector convention founded by Pat Flynn of Deep Pocket Monster, staged at the Gaylord Texan — live game shows, panels and stage programming across the weekend. Also on the crew for Card Party Fort Lauderdale in July, covering behind-the-scenes and roaming capture.

Concept · interviews · b-roll · edit · April 2026 · for Ecamm

Gathering of Nations

A case study film for Ecamm’s marketing — talent interviewed remotely through Ecamm Live, cut together with photography and video I shot on site at the powwow in Albuquerque. Concept, interviews, b-roll and edit, done solo.

See the project →

Video producer · March 2026 · with the Ecamm team

National A Cappella & Choral Convention

A three-day convention for high school, middle school and college choirs at the DoubleTree at SeaWorld in Orlando. Ecamm sponsored the event; I produced the live stream — four cameras, every performance, ticketed for families watching from home.

Digital Media Director · ongoing

ATS continuing education

Accredited CEU webinars running from around 200 attendees to a full thousand — presenter prep, live production, polls and Q&A, attendance workflows and post-event reporting.

On site

What it looks like from my side

The National A Cappella & Choral Convention, DoubleTree at SeaWorld, Orlando — three days of performances and classes for high school, middle school and college choirs. Ecamm sponsored the event and produced the stream; I produced, on a team of three. This is the position I work from.

Front-of-house production desk in a hotel ballroom: three monitors showing preview, program and control, two Stream Decks, an audio interface, and two cameras on tripods facing a lit stage.
Two hours before doors. Four cameras — a locked safety wide, a tracking cam, a roaming crowd cam and a floor cam — into a Mac mini running Ecamm, switched through a RØDECaster Video, with the wireless feeds on Hollyland transmitters. Built, patched and tested before a single person sat down. Nothing here gets figured out during the show.
The live broadcast: a choir standing in silhouette across a stage under purple and magenta wash, the NACC logo on the screen behind them, a full audience in front.
And this is what went out. The same show from the other side of the desk — four cameras cut live, for the room and for the families watching a stream they had bought a ticket to see.
The pre-show holding screen: the NACC logo centred on a patterned teal background.
The holding screen. Live before doors open, so anyone arriving early finds a show that has already started rather than a black frame.
Wide shot of the full house from the broadcast: stage lit in pink and blue, the NACC screen behind, audience filling the room.
The room, full. Same stage, doors open, every seat taken — and several hundred more watching from home.
Empty ballroom set for a convention, rows of chairs facing a stage with the NACC logo on a large screen, a camera on a tripod mid-room.
The room it has to fill. Every performance streamed, and families who couldn’t get to Orlando bought tickets to watch.
Fuljens Henry at the production position, camera and lit NACC stage behind him.
Producing. Running scenes, cutting four cameras, and keeping the floor cam — the riskiest angle in the room — on a monitor of its own.
Also produced for
Card Party National A Cappella & Choral Convention ATS Seminar Ecamm Network NYC Mayor’s Office Miller Media Group Kirby Allison Master Oh Living Legacy Health AQUA DC FITBK OuvriBarye Brooklyn Public Library West Indian American Day Carnival Association American Platform Tennis Association People of Video
What I do

Production, start to finish

For educators, nonprofits, churches, associations and creative teams — anyone who has to run a show and needs it to look like a broadcast, not a video call.

Live & live-to-tape production

Multi-camera, multi-guest hybrid events and virtual panels run in Ecamm Live and Zoom Webinar. I handle tech, graphics, camera management and transitions so the show holds together on air — and you present instead of driving software.

Multi-camHybrid eventsEcamm + ZoomRun-of-show

Webinar & panel management

Panelist coaching, Zoom Webinar moderation and audience engagement — including continuing-education programmes for ATS running from around 200 attendees up to a thousand, and my own online events to 2,000. Polls, Q&A, attendance workflows and post-event reporting included.

Panelist coachingModerationCEU programsLive Q&A

Custom Ecamm profile builds

A complete, branded Ecamm Live profile built to your show — countdowns, lower thirds, guest layouts and screen-share scenes, wired to your Stream Deck and handed over with a walkthrough. For teams who want to run it in-house.

Scene designStream DeckOnboardingOBS migration
Request a profile build

Graphics, overlays & branded intros

Overlay packages and motion intros built natively in Ecamm — lower thirds, countdowns, rundown bars and full show looks that match your brand.

Lower thirdsCountdownsShow packaging
The Ecamm relationship

Not just on Ecamm — inside it

Most producers use Ecamm Live. I help make the material other people learn it from.

Building Blocks

Creator and co-host of the live tutorial series with Ecamm Live, archived on Ecamm’s own channel.

Ecamm Network News (ENN)

Creator and co-host of ENN, Ecamm’s community news programme, produced and streamed live each edition.

Ecamm Live Academy

Workshops delivered for Ecamm’s own training programme — teaching the software to its users.

Ecamm’s blog also covers my pre-show tech-check routine. When you hire me for an Ecamm production, you’re hiring someone the people who build it ask to teach it.

Want that setup, but running it yourself?

I’ll build your Ecamm profile to your show — scenes, lower thirds, countdowns, guest and screen-share layouts, wired to your Stream Deck, handed over with a walkthrough.

Request a profile build

Don’t have Ecamm Live yet? Try it free for 14 days. I’m an Ecamm affiliate, so that link supports my work at no extra cost to you — I’d recommend it either way.

Studio builds

Sometimes the upgrade is a subtraction

vOz Vanelli runs songShine, an arts community and indie game studio in Tupelo, Mississippi. He found me through the Ecamm Live Academy and started with a custom Ecamm profile — then he asked about the room. He had all of it already: eight cameras, switchers, lights, audio hardware. Good gear, every piece of it, and all of it working against him. I spent a week there in July 2025. He didn’t need anything else. He needed less.

Before A small studio crowded with camera tripods, softboxes and cable running across the floor, walls covered in brightly coloured painted portraits.
The room. Tripods in every lane, cable across the floor, and a wall of Nick Piliero originals you couldn’t see for the legs. Every angle in here was a decision he had to make before he could say a word.
After The same studio, now clear: two curved monitors either side of a centre screen, a compact mixer, keyboard and microphone on an uncluttered desk under two softboxes.
The same room, end of the week. One camera, two monitors, a mixer he can reach without standing up. Same lights, same art — and now you can see the art.
Before A production desk: a monitor showing a grid of camera slots beside a large 32-channel digital mixing console, a Stream Deck, coiled cable and stacked paperwork.
And the desk it ran from. A 32-channel console and a Stream Deck, for a room with one person in it. Every session started with getting all of this ready — before anything creative could begin.
After Seen from behind the desk: a single mirrorless camera on a tripod, centred at eye height between two monitors, its flip-out screen showing the shot.
Where the camera ended up. Centre, at eye height, behind an Elgato prompter, between the two screens — so the shot he goes live on is the one he is already reading from. The switcher came out with everything else: one camera, one Cam Link, and Ecamm Live doing the switching.

He is recording and streaming in a room that matches how he actually works — which was the entire point. Livestreams, song sessions and behind-the-scenes, all of it out of Ecamm Live: it is the brain of the room, and taking the hardware out is what let it be. Paintings by Nick Cerullo Piliero, from vOz’s collection.

Room working against you?

I travel for studio builds and rebuilds — your gear, your space, cut back to what you actually use, and set up so you can switch it on and work.

Talk about your room

That Ecamm link is my affiliate link, so it supports my work at no extra cost to you. It is what I build every room on, vOz’s included.

What clients say

In their words

“Fuljens IS Mr Ecamm himself. Extremely knowledgeable in all things live-streaming, and able to guide me and create beautiful overlays, lower thirds and welcome screens for our Ministry. I will be returning for more from him — 10 stars!”
Upwork client · animated overlays for Ecamm Live Dec 2024 ★★★★★
“Fuljens did an amazing job with the services I needed for my online event. I truly thank him for his service.”
Upwork client · health & wellness webinar Nov 2024 – Oct 2025 ★★★★★
“Fuljens did in one hour what I couldn’t do after hours and hours of Ecamm tutorials. Knowledgeable, and a great teacher.”
drdebkern · Fiverr 1 month ago ★★★★★
“Delivered an exceptional product and exceeded expectations. Communicative, creative, and a subject matter expert — great attention to detail, and incorporates feedback well.”
khosan · Fiverr 6 months ago ★★★★★
“Showed me everything when it came to setting up Ecamm Live — overlays, scenes, setting up my camera, and Zoom meetings too. I’d recommend his expertise to anyone brand new with Ecamm.”
writescript · Fiverr 1 year ago ★★★★★
“Very quick service, quick delivery, and got me back on track to keep streaming. Legendary!”
jdubgamenplay · Fiverr 1 year ago ★★★★★
“This guy is a legend.”
kingzy57 · Fiverr 1 year ago ★★★★★
5.0 5.0 average across 8 Fiverr reviews, Upwork, and the template store
How it works

From first note to on air

Every engagement runs the same four steps, whether it's one webinar or a whole season.

STEP 01

Tell me about the show

Format, guests, gear, dates and what success looks like. The intake form takes about five minutes.

STEP 02

Plan & quote

I come back with a production plan and a firm quote — scope, timeline, and exactly what I need from you.

STEP 03

Build & rehearse

Scenes, graphics and run-of-show built and tested before show day, with a full tech rehearsal.

STEP 04

Go live

I run the room — switching, graphics, guest wrangling, the lot. You present.

Ways to work together

Four kinds of engagement

Single show One-off event
  • A webinar, panel, launch or conference session
  • Scenes and graphics built for the event
  • Full tech rehearsal beforehand
  • Live production on the day
  • Recording handed back for repurposing
Get a quote
Ongoing series Recurring show · best value
  • Weekly, monthly or seasonal programming
  • One consistent look across every episode
  • Panelist coaching and guest onboarding
  • Same producer every time — no re-briefing
  • Series rates rather than per-show
Get a quote
On-site & hybrid I travel to you
  • Conferences, stages and in-person events
  • Studio builds and rebuilds — your room, cut back to what you use
  • Front-of-house production position
  • Multi-camera, cut live in the room
  • Travel, rig and run-of-show planned before the date
Get a quote
Build only You run it in-house
  • Custom-branded Ecamm profile, built to your show
  • Countdowns, lower thirds, guest & screen-share scenes
  • Stream Deck integration
  • Live onboarding walkthrough
  • Migration from OBS if you need it
Get a quote

Every show is scoped differently — cameras, guests, rehearsal time and graphics all move the number — so I quote per project rather than publish a rate card. Send the details and you'll have a plan and a firm price back within two business days.

Watch

How it actually gets done

From my channel: my own webinar position and what every screen on it is for, plus the Ecamm techniques I get asked about most.

Not ready for a producer?

Grab a template and do it yourself

18 ready-made Ecamm packs — lower thirds, countdowns, grids and full show looks, from $10. Every rated one is five stars. Or have a profile built to your show, branded and wired to your Stream Deck.

Next step

Tell me about your show

A few questions about your format, your gear and your timeline. You'll get a production plan and a firm quote back within two business days — no call required to start. Prefer email? hello@fuljens.com